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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

JS Study 1
JS Study 1
JS Study 1

JS Study 1, 2014

Jasper Knight
Portrait, enamel and synthetic polymer paint on conservation card

Gift of Ross Steele AM 2021. Donated through the Australian Government's Cultural Gifts Program.

Reko Rennie
Reko Rennie
Reko Rennie

Reko Rennie, 2014

Jasper Knight
Portrait, enamel, gloss acrylic, perspex, masonite and metal sign on board

Gift of Patrick Corrigan AM 2020. Donated through the Australian Government's Cultural Gifts Program.

Rachel
Rachel
Rachel

Rachel, 2021

Thea Anamara Perkins
Portrait, synthetic polymer paint on gessoboard

Purchased 2022

Jasperware medallion of Captain James Cook
Jasperware medallion of Captain James Cook
Jasperware medallion of Captain James Cook

Jasperware medallion of Captain James Cook, 1779

Wedgwood and Bentley
Portrait, white on blue Jasper Ware in oval shaped wood and gilt frame

Purchased with funds provided by Robert Oatley AO 2007

Personal Hygiene, 2007

Shifting pixels

Magazine article by Gillian Raymond, 2007

In 2007 the National Portrait Gallery produced its first online exhibition featuring the animated self portraits created by some of Australia’s most innovative visual artists and animators.

Hugo at home (Hugo Weaving)

Nicholas Harding

28 Portraits
Previous exhibition, 2017

Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.

Camouflage self portrait, 1986

Hide/Seek

Magazine article by David Ward, 2010

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Les Murray

Poets' Portraits

Magazine article by Dr Sarah Engledow, 2005

The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.

"Just what is it that makes today's homes so different, so appealing?", 1956

Pop goes the preconception

Magazine article by Paul Moorhouse, 2007

A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency